Silkscreen

Here is a picture of Sabrina wearing the giraffe sweater that I silkscreened. I chose to do giraffes because I took this picture at the zoo and thought it was really beautiful. It was ideal for silkscreening because we were supposed to do something using 2 different colours, and giraffes have distinct yellow and black markings. The shades in the picture did not vary too much, so when set with only 2 shades it was still very obvious what animal was on the sweater. I used the traditional colours of a giraffe because I wanted it to be very clear that this was the animal I was silkscreening. It was my first time and was not sure how well it was going to turn out. Thankfully, it turned out very well and I lined up the layers almost perfectly. I really love silkscreening  if I do it again, I think I will do a zebra or maybe a building.

Acrylic Gel Lift

I loved making acrylic gel lifts, so much that I actually made four, but I like this one the best. This is my acrylic gel lift of the Temple of the Golden Pavilion in Kyoto, Japan. This was taken 5 years ago on a family vacation to Japan and Vietnam. This land belonged to a powerful statesman, and when he died a Buddhist temple was erected there by his son. During the Onin war, it was burnt down and rebuilt later. Many claim that it was built an exact replica, but historians doubt that the old one was plated in gold like this one is today. I chose this picture because I remember when we visited there, the whole scene looked just like a postcard. It was so exquisite it didn't even seem real. I wanted to capture that delicate beauty and I thought an acrylic lift would do that. Though it replicates the exact photo, it looks more dreamlike and ghostly, and a bit transparent. Like the temple itself was replicated, I replicated the photo but with a bit of embellishment.

Eucalyptus Oil Print

This is  a eucalyptus oil print that I made of a spider. I took this photo 5 years ago when we went to Vietnam on a family vacation. I chose to do this picture because I know that these prints bleed the ink a bit, and thought that a huge spider could take advantage of that by making it look even more furry and scary. After making the print, I wanted to add some emphasis to the top of the spider because it was quite light so I carefully watercoulored the real colours of the spider into some of the white spaces.I also added a bit of blue to it's legs and face. I think that adding the coulor was a really good way to separate the spider from the backround and define the different parts of it. I was not sure if the colour would even turn out, but when I saw how it turned out I was really pleased with it. 

Breaking the Rules

I took this picture because I was experimenting with different perspectives. People are used to seeing leaves and boots on the ground from  a bird's eye view, so I wanted to show them the way little insects see them: looming, ominous boots and huge leaves displaying every vein. My photo is interesting because it gives a fresh outlook on something ordinary. This is why the fact that it breaks the rules can be excused. It follows rule of thirds but is severely unbalanced. The boot on the right is much bigger and also more focused, and the same for the leaf. The picture is really heavy on the right side of it.

This is Becca showing off her new tattoo and all her belts. I like this picture because I made her hand the focus. Rather than showing off the blingy, detailed belts, it draws attention to a normally smooth, clear and boring surface of skin. You find yourself examining the lines and crevices in her fingers and the cut on her cuticle, which is something that would normally be ignored, especially with the tattoo and belts that could have easily been showcased. This breaks the rule of thirds and is als not balanced. The focus is on the thumb, which is near the middle of the photo, and the belts, though out of focus, tend to make the right side heavy. It is also heavy because the lines do not showcase the object of focus, but actually draw away from it a bit.

I decided to take the photo with the viewpoint from the top of Claire's head.  I like that this photo draws a lot of attention to her hair, and shows off the individual strands. The flyaways help draw your eye around the picture. It breaks rule thirds, and is also extremely off balance. It is much more heavy on the right side. The only thing that balances the head out is her blurry boots, but it is definitely not enough to make it equal.

Playing with Light

I took this photo by setting a camera up on a tripod with the lights off in the dark room. Then I set the shutter speed to 15 seconds and took a picture. Using a different camera, I set the flash off a couple of times to expose Justin's hands in different positions on the bass' neck. I like this photo because it is fun and interesting, but has an actual meaning. It's almost as if Justin is playing so quickly that your eyes can't keep up. The blue glow around his hands and bass strap looks is very bright, and is indicative of his passion for playing bass because he is literally lighting it up. I also like that this photo can convey that kind of emotion without showing his facial expression at all, because I rely heavily on them in most of my photos.

Mixed Lighting

My goal in this picture was to use two very different types of light: yellow tungsten light to highlight one side of the face and allow natural blue sunlight to fill in some of the shadows on the other side. My F- stop was 5.6 and shutter speed was 1/60. I love the way the different kinds of light play with the eyes of my subject. One looks hazel and the other dark blue. I also liked how the blue from the sunlight adds contrast to his freckles. I took so many photos in this mixed lighting setup so it was extremely hard to choose one. This photo was the one with the most defined lighting and that and exhibits the clear 2:1 ratio that I was striving for.  Mainly though, I selected this one because I liked Colin’s expression and I really liked the way the blue light settled in his dimples to add contrast to the photo.  In most of the pictures I couldn't get him smiling because he was camera shy and felt a bit vulnerable under all the lights, but since he found the whole ordeal amusing he got the giggles when I took close ups. Though this picture captures Colin’s typical cheerfulness, it also has a touch of something personal and pensive.

Perfect Portrait Lighting

Daniel

This picture was taken with an f stop of 5.6 and a shutter speed of 1/60. I used two lights in front of Daniel, one on either side with the right one being a bit further away. I also used a light shining at the back wall from the bottom to eliminate shadows. The photos that I took in this shoot were my favourites by far and choosing one was really difficult for me. Most of the photos I took had Daniel looking contemplative, looking up through his eyelashes and were in black and white. Though these pictures may have been more elegant and deeper than this one, but this one had significance to me. His carefree expression reminded me of when he was much younger boy, and took me back to the summers we spent running around outside as kids. There’s all the time in the world to take substantial, implicit photos, but fleeting moments like this are a bit rarer.

Essma

I complained in my previous explanations about never being able to decide which photo to use, but this one was different. Right when I took it, I knew that it was the one that I wanted to use of Essma. Of course, I wasted another period trying to top it but it didn’t work and I have to say I’m pleased with this one even after a few weeks of different shooting. I love the elegant 2:1 lighting in this photo and the high contrast. It adds a bit of drama to a rather ordinary pose. Essma and I were chatting while I was taking these. I had just said something ludicrous to her and this was her reaction. This is such a distinctive Essma expression; a bit of a smirk on her face but the lowered lashes is her thinking about how to respond to what I said. My F stop was 5.6 and shutter speed 1/60. 

Izabela

This picture was an accident, but I was delighted when I saw how it turned out. Izabela was a fabulous model; very natural in front of the camera and composed. This was a bit of a problem for me, because I love Richard Avedon and wanted to copy the spontaneity of his photos. Mid pose, Izi blinked and I got this photo. The lighting is dramatic in contrast to her peaceful expression. Rather than looking vulnerable with her eyes closed, she looks content and comfortable. I love this photo because it shows a side of my best friend that is sometimes overlooked. She’s known for her boisterous laugh and enthusiastic personality, but there is always an underlying sense of calm and stability within her. I took this photo with an F stop of 5.6 and a shutter speed on 1/80. I had two lights set up at a 2:1 ratio on each side, but I turned one off for this photo and left the other one pointed at her from the side. This lighting works well with her position, as if she’s stretching towards the light.